...But one can never get quiet enough...
“When I was a girl, I was terribly sure trees and flowers were the same as birds or people. That they thought things, and talked among themselves. And we could hear them if we really tried. It was just a matter of emptying your head of all other sounds. Being very quiet and listening very hard. But one can never get quiet enough...”
(A quote by Truman Capote, inspired by real life events, in the reconstructed detective novel In Cold Blood )
For the most part, attempts to depict, subjectivize or even invent silence in works of art are characterised by delicate and fine intonations. Oftentimes, hidden minutiae and details that are initially obscure are of major, nigh on decisive, importance. Art born of the material of silence strives to be unobtrusive, inconspicuous, and requires a more enduring gaze from the viewer, including when art gravitates towards a kind of durability, which is much slower and less familiar to the mind than the everyday rhythm of time. Zane Tuča’s monochrome compositions largely correspond to associations and intuitive visual archetypes about silence. At the same time, they also represent something more, something stemming from the gamma of emotions and feelings that can be contrasted to all that is noisy, challenging and dramatic in the system of binary oppositions.
The paintings in the exhibition ...But one can never get quiet enough are about that silence that can be found, not in the absence of sounds, but rather on softer information frequencies that are perceivable in less verbal ways. They tell of a time that Zane Tuča sought to stop and freeze. Perhaps, this is the only state in which silence can exist. At the simplest level, the artist depicts how various moments in time can simultaneously overlap; this physically impossible state, which has stimulated the creative imagination of so many artists and inspired numerous artistic depictions of contemporaneity, in which the present, past, future and other customary watersheds merge. The depictions of landscape that one sees in Zane Tuča’s paintings reflect this mental time zone, where different principles of space and durability prevail.
Overlays are also formed in the technical execution of the works. Areas painted in acrylic are covered with exquisite drawing, which both clarifies and tonally blends the depicted forms, as well as accentuating the minimalist colour. Thus, the fine and time-consuming working process of drawing is of major significance, because it echoes the meditative deceleration visible in the paintings, which is out of this world. The artist captures restrained laconic landscapes and studies of nature and architecture in glassy reflections, with each depicted detail doubling and toying with the effects of Northern light. Zane Tuča has also used this approach in her previous works, returning to it through various motifs. If we are seeking the classical logic of representation in these paintings, then, as in the Ancient Greek myth about Narcissus, the confluence of brilliance and an object creates a new third image, which is a symbol of transience and imperceptibility. Landscape elements are a way of thinking about moments, unravelling the mysteries of time and physically perceptible silence, which disrupt its consistently foreseeable flow.
The works in ...But one can never get quiet enough were created by Zane Tuča during her residency in Norway. In a reserved Nordic manner, she captures the locale’s instruments of silence – nature and man-made architecture. Seeking the origin of the silence visible in the paintings, one concludes that it does not lie within the anarchically charged silence of 4’33”, nor ethereal metaphysics. In Zane Tuča’s works, asceticism overlaps with the calligraphy of forms. As a result, we can observe references to some decidedly matter-of-fact traditions of photorealism and self-conceived approaches to meditation, which present vision as the content of the work of art and startle the mind through efforts to see reality anew, devoid of the layers wrought by urban urgency and noise.